Sheppard. . ’ ‘Now why didn’t I make that connection?’ Gerald asked of the air in a tone of regret. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. They were ingenious disguises of gilt paper destructively gummed, it would seem, to Ann Veronicas’ best dancing-slippers.
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